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Fuller, S. M. (Sarah Margaret), 1810-1850

"Summer on the Lakes, in 1843"

They walked
in single file, each with his tomahawk in one hand, and scalping knife
in the other. Their bodies were naked, from the waist upwards, except in
a few examples, where blankets were thrown loosely over the shoulders.
Their faces were painted with charcoal, worked up with grease; their
bodies with white clay in patterns of various fancies. Some had feathers
thrust through their noses, and their heads decorated with the same. It
is unnecessary to dwell on the sensations with which I beheld the
approach of this uncouth, if not frightful, assemblage."
"Looking out, I saw about twenty naked young Indians, the most perfect
in their shape, and by far the handsomest I had ever seen, coming
towards me, and dancing as they approached to the music of their drums.
At every ten or twelve yards they halted, and set up their yells and
cries.
When they reached my tent I asked them to come in, which, without
deigning to make me any answer, they did. As I observed they were
painted red and black, as they are when they go against an enemy, and
perceived that some parts of the war-dance were intermixed with their
other movements, I doubted not but they were set on by the hostile chief
who refused my salutation. I therefore determined to sell my life as
dearly as possible. To this purpose I received them sitting on my chest,
with my gun and pistols beside me; and ordered my men to keep a watchful
eye on them, and be also on their guard.
The Indians being entered, they continued their dance alternately,
singing at the same time of their heroic exploits, and the superiority
of their race over every other people.


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