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Fuller, S. M. (Sarah Margaret), 1810-1850

"Summer on the Lakes, in 1843"

Yet nothing would
be a greater violation than giving the remains of a sacrificial feast to
the dogs, or even suffering them to touch the bones.
Similar inconsistences may be observed in the treatment of the dog by
the white man. He is the most cherished companion in the familiar walks
of many men; his virtues form the theme of poetry and history; the
nobler races present grand traits, and are treated with proportionate
respect. Yet the epithets dog and hound, are there set apart to express
the uttermost contempt.
Goethe, who abhorred dogs, has selected that animal for the embodiment
of the modern devil, who, in earlier times, chose rather the form of the
serpent.
There is, indeed, something that peculiarly breaks in on the harmony of
nature, in the bark of the dog, and that does not at all correspond with
the softness and sagacity observable in his eye. The baying the moon, I
have been inclined to set down as an unfavorable indication; but, since
Fourier has found out that the moon is dead, and "no better than
carrion;" and the Greeks have designated her as Hecate, the deity of
suicide and witchcraft, the dogs are perhaps in the right.
They have among them the legend of the carbuncle, so famous in oriental
mythos. Adair states that they believe this fabulous gem may be found on
the spot where the rattlesnake has been destroyed.
If they have not the archetypal man, they have the archetypal animal,
"the grandfather of all beavers;" to them, who do not know the elephant,
this is the symbol of wisdom, as the rattlesnake and bear of power.


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