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?© de, 1799-1850

"Beatrix"

The pickaxe of his criticism demolishes, it
never constructs. Thus his lassitude is that of a mechanic, not of an
architect. The eyes, of a pale blue, once brilliant, are clouded now
by some hidden pain, or dulled by gloomy sadness. Excesses have laid
dark tints above the eyelids; the temples have lost their freshness.
The chin, of incomparable distinction, is getting doubled, but without
dignity. His voice, never sonorous, is weakening; without being either
hoarse or extinct, it touches the confines of hoarseness and
extinction. The impassibility of that fine head, the fixity of that
glance, cover irresolution and weakness, which the keenly intelligent
and sarcastic smile belies. The weakness lies wholly in action, not in
thought; there are traces of an encyclopedic comprehension on that
brow, and in the habitual movement of a face that is childlike and
splendid both. The man is tall, slightly bent already, like all those
who bear the weight of a world of thought. Such long, tall bodies are
never remarkable for continuous effort or creative activity.


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