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?© de, 1799-1850

"Beatrix"

He has one advantage over those men,--he is in vocal music
what Paganini is on the violin, Liszt on the piano, Taglioni in the
ballet, and what the famous Garat was; at any rate he recalls that
great singer to those who knew him. His is not a voice, my friend, it
is a soul. When its song replies to certain ideas, certain states of
feeling difficult to describe in which a woman sometimes finds
herself, that woman is lost. The marquise conceived the maddest
passion for him, and took him from me. The act was provincial, I
allow, but it was all fair play. She won my esteem and friendship by
the way she behaved to me. She thought me a woman who was likely to
defend her own; she did not know that to me the most ridiculous thing
in the world is such a struggle. She came to see me. That woman, proud
as she is, was so in love that she told me her secret and made me the
arbiter of her destiny. She was really adorable, and she kept her
place as woman and as marquise in my eyes. I must tell you, dear
friend, that while women are sometimes bad, they have hidden grandeurs
in their souls that men can never appreciate.


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