Nothing was ever more mysteriously melancholy than Camille's
improvisation; it seemed like the cry of a soul /de profundis/ to God
--from the depths of a grave! The heart of the young lover recognized
the cry of despairing love, the prayer of a hidden plaint, the groan
of repressed affliction. Camille had varied, modified, and lengthened
the introduction to the cavatina: "Mercy for thee, mercy for me!"
which is nearly the whole of the fourth act of "Robert le Diable." She
now suddenly sang the words in a heart-rending manner, and then as
suddenly interrupted herself. Calyste entered, and saw the reason.
Poor Camille Maupin! poor Felicite! She turned to him a face bathed
with tears, took out her handkerchief and dried them, and said,
simply, without affectation, "Good-morning." She was beautiful as she
sat there in her morning gown. On her head was one of those red
chenille nets, much worn in those days, through which the coils of her
black hair shone, escaping here and there. A short upper garment made
like a Greek peplum gave to view a pair of cambric trousers with
embroidered frills, and the prettiest of Turkish slippers, red and
gold.
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