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?© de, 1799-1850

"Beatrix"


At Les Touches were displayed to the ravished eyes of the ignorant
young countryman, the riches of a new world; he heard, as it were,
another language, hitherto unknown to him and sonorous. He listened to
the poetic sounds of the finest music, that surpassing music of the
nineteenth century, in which melody and harmony blend or struggle on
equal terms,--a music in which song and instrumentation have reached a
hitherto unknown perfection. He saw before his eyes the works of
modern painters, those of the French school, to-day the heir of Italy,
Spain, and Flanders, in which talent has become so common that hearts,
weary of talent, are calling aloud for genius. He read there those
works of imagination, those amazing creations of modern literature
which produced their full effect upon his unused heart. In short, the
great Nineteenth Century appeared to him, in all its collective
magnificence, its criticising spirit, its desires for renovation in
all directions, and its vast efforts, nearly all of them on the scale
of the giant who cradled the infancy of the century in his banners and
sang to it hymns with the lullaby of cannon.


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