Concord, 27, 32.
Congee, or Congedium, 139.
Consorts, 'broken' and 'whole,' 31, 48, 55, 125.
Consort, of viols, 31, 98, 117.
Coperario (J. Cooper), 12, 36, 47, 171.
Coranto, dance, 115, 116, 118, 121, 122 (derivation), 123, 124, 126,
136, 149-150 (tune and steps).
_Coriolanus_, 166, 167, 176.
Cornet, 170, 179, 180, and x.
Cornet playing, 17th cent., 179.
Cornyshe, W., 66.
Corydon's Farewell to Phillis, 190.
Cotgrave, on 'freeman's songs,' 83.
'Counter,' to, 66, 68, 97, 98.
Country Dance, 115, 116, 122, 123, 126.
Courante, 208.
Curranta (courante, coranto), 7.
Cushion dance, 118, 126.
Cymbals, 176.
_Cymbeline_, 73, 100, 109, 110.
_Damon and Pithias_, 16.
Dances, 16th cent., 137-151.
Dance music, 139, 144, 145, 200, 201 ff.
Dances in Shakespeare, 113 ff.
Dances, sung, 113, 115, 118, 119, 145.
Dancing, time of Elizabeth, James I. and Charles I., 118.
Dances of 16th cent., origin of Sonata form, 113.
Dancing Schools, English, 136.
Dancing, to tabor and pipe, 78, 120, and frontispiece.
Davenant, _The Wits_, 17.
Davies, Sir John, on dances, 123, 124.
_Declaration of Egregious Impostures_, 17.
Dekker, _Satiromastix_, 164.
Delaborde, 119.
Descant, 6, 8, 22, 23, 25, 27, 29, 41, 42, 67, 68, 185.
Descanters, contention of, 6.
Descant on a "ground," 29, 30.
_Deuteromelia_, Ravencroft's, 83.
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