(_d._) 1. The King's Hunting Jigg, by Dr Bull (1563-1628). See p. 117.
_Hamlet_ II, ii, 504, etc.
[Music]
(_d._) 2. The Cobbler's Jig. 1622. See p. 125.
[Music]
(_e._) 1. An English Morris, 1650, see p. 132. _All's Well_ II, ii,
20, etc.
[Music]
(_e._) 2. Italian Moresca, by Claudio Monteverde, from his opera
'Orfeo,' 1608. This at all events must have had a different step to
the Morisque of Arbeau. (See Note on the 'Orchesographie.')
This dance is certainly in triple rhythm, so the common-time sign
probably indicates it should be played fast enough to give the effect
of two beats to the bar.
[Music]
(_f._) Part of 'My Ladye Carey's Dumpe,' _circa_ 1600. See p. 127.
_Two Gent._ III, ii, 83, etc.
[Music]
Then return to [repeat symbol]. This is about _one third_ of it. The
last strain of all is the first here printed, but in _four_ parts, and
with extraordinary harmony, the E's being carefully marked [natural
symbol].
_N.B._--For Cinquepace, Canaries, Brawl, Lavolt, Courante, Haye,
Morisque, _see the Note on_ 'Orchesographie.'
27. Musical Stage Directions. See p. 165, and ff.
(_a._) Flourish, believed to be of Charles II.'s time. See p. 167.
[Music: Eight Trumpets.]
(_b._) The Ancient English Drum March, revived in 1610. See p. 172.
_H. 6. A._ III, iii, 30.
[Music: THE VOLUNTARY.]
[Music: THE MARCH.]
(_c._) Military March of the French 'Gardes de la Marine,' written by
Lully, 1670.
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