Prev | Current Page 160 | Next

Naylor, Edward W. (Edward Woodall), 1867-1934

"Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries"

See Percy's Reliques, Vol. II. p. 75. But the date of
the next is not so certain, though probably it is of Shakespeare's
time.
[Music: II.
(_a_) Good morrow, 'tis St Valentine's day
All in the morn betime,
And I a maid at your window
To be your Valen-tine.
(_b_) For bonny sweet Robin is all my joy.]
The next two are of the same period as I.
[Music: III.
They bore him bare-faste on the bier;
And in his grave rain'd many a tear.]
[Music: IV.
(_a_) And will he not come a-gain?
And will he not come a-gain?
No, no, he is dead,
Go to thy death bed;
He never will come a-gain.
(_b_) His beard as white as snow,
All flax-en was his poll;
He's gone, he's gone,
And we cast away moan;
God ha' mer-cy on his soul!]
L. 184, 'Bonny sweet Robin.' With the exception of this _one line_,
and _the title_, 'My Robin is to the greenwood gone,' nothing remains
of this song, but the following tune, which is of some date before
1597.
[Music: V.
My Robin is to the greenwood gone.
For bonny sweet Robin is all my joy.]
23. Catches, of 16th century, prob. long anterior to Shakespeare.
I. 'Hold thy peace,' see p. 77, _Tw. Nt._ II, iii. For _three_ voices,
Sir Toby, Sir Andrew, and Feste the clown, who begins the catch. The
second man follows when the first has arrived at [segno symbol].


Pages:
148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172