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Naylor, Edward W. (Edward Woodall), 1867-1934

"Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries"


Out of these, it is used some 22 times for the entrance or exit of a
King or Queen; 12 times for the entrance or exit of a distinguished
person not a king; 10 times in the public welcome of a Queen or great
general; 7 times it marks the end of a scene; 6 times heralds a
victorious force; twice announces the proclamation of a King; twice
signalises the entrance or exit of Senate or Tribunes; and twice gives
warning of the approach of Play-actors [See Section VI., at end], or
the commencement of a Play. [Players in Hamlet, and Pyramus and Thisbe
in _Mids. Nt._].
Some solitary uses are where Rich. III. orders a Flourish to drown the
reproaches of Qu. Eliz. and the Duchess of York; the occasion of the
betrothal of H. V. and Katherine of France; and the public welcome of
the three Ladies in Coriolanus. The last is _A Flourish with drums and
trumpets_, which occurs several times. In Grove's Dictionary (under
'Fanfare') is given a seven bar Flourish which is believed to be of
Charles II.'s time, and is still used at the opening of Parliament.
[Appendix.]
'Flourish' in the text is only found twice. In _Richard III._ IV, iv,
149, 'A flourish, trumpets!--strike alarum, drums!' we have a clear
definition of the two terms mentioned; and in _Merchant_ III, ii, 49,
'even as the flourish when true subjects bow To a new-crowned
monarch;' a reference to the principal use of the Flourish, which was
to signify the presence of Royal persons.


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