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Naylor, Edward W. (Edward Woodall), 1867-1934

"Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries"

This is dealt with more fully in the chapter on Stage
Directions.
Parolles' sham anxiety about a lost drum is mentioned fourteen or
fifteen times in _All's Well_ III. v. and vi.; and IV. i. Parolles
earns his nickname of 'Tom Drum,' in Act V. iii. 320.
The following is an interesting passage of a more serious kind--
_K. John_ V, ii, 164.
_Lewis_ [Dauphin.]
Strike up the _drums_! and let the tongue of war
Plead for our interest, and our being here.
_Bastard._ Indeed, your _drums_, being _beaten_, will cry out;
And so shall you, being _beaten_. Do but start
An _echo_ with the clamour of thy drum,
And even at hand a _drum_ is ready brac'd,
That shall reverberate all as loud as thine;
_Sound_ but _another_, and another shall,
As loud as thine, _rattle the welkin's ear_,
And mock the deep-mouth'd thunder.
An entirely different use of the Drum is alluded to by Parolles, in
his slanderous evidence against Captain Dumain.
_All's Well_ IV, iii, 262.
_1 Soldier._ What say you to his expertness in war?
_Parolles._ 'Faith, sir, he has _led the drum before the
English tragedians_, ... and more of his soldiership I know
not.
There are several occasions in Shakespeare when _trumpets_ are sounded
to herald the approach of play-actors, but _drums_ are not mentioned
in this connection except here.


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