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Naylor, Edward W. (Edward Woodall), 1867-1934

"Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries"


He cannot fynd it in _rule_ nor in _space_,
He _solfyth_ too haute, hys _trybyll_ is too high,
He braggyth of his byrth that borne was full base,
Hys musyk _withoute mesure, too sharp_, is _his 'my'_,
He trymmeth in his _tenor_ to _counter_ pardy,
His _descant_ is besy,[15] it is without a _mene_,
Too fat is his fantsy, his wyt is too lene.
He tumbryth on a _lewde lewte_, Rotybulle Joyse,
Rumbill downe, tumbill downe, hey go, now now,
He _fumblyth in his fyngering_ an ugly rude noise,
It seemyth the sobbyng of an old sow:
He wolde be made moch of, and he wyst how;
Well sped in spindels and tuning of travellys
A bungler, a brawler, a picker of quarrels.
Comely he clappyth a _payre of clavicordys_
He _whystelyth_ so swetely he maketh me to swet,
His _discant_ is dashed full of _discordes_,
A red angry man, but easy to intrete; etc.
[Footnote 15: 'Besy,' that is, 'busy,' meaning 'fussy,' a bad fault in
descant, as it is to this day in counterpoint.]
Further on we read--
For lordes and ladyes lerne at his scole,
He techyth them so wysely to _solf_ and to _fayne_,
That neither they sing wel _prike-song_ nor _plain_.
Skelton's main objection to this person is that he, being in reality
of very humble origin, presumed on his very doubtful musical abilities
to gain a footing amongst his betters.


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