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Naylor, Edward W. (Edward Woodall), 1867-1934

"Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries"


_Nym._ The good humour is to _steal at a minim's rest_.
['Minims' is a modern conjecture.]
The metaphor is of an anthem or madrigal, say in four parts. We will
suppose the Hostess of the 'Garter' is taking the _Cantus_, a tapster
the _Altus_, mine Host the _Tenor_, and Nym the _Bassus_. The three
former are all hard at work on their respective 'parts,' one in the
kitchen, another in the taproom, the third in familiar converse
outside the front door. But Nym has 'a minim rest,' and during that
short respite takes advantage of the absorbing occupations of the
other three 'singers' to lay hands on whatever portable property is
within his reach. 'A minim rest' is not much--but the point remains.
Any musician has had experience of what can be done during a short
'rest'--_e.g._, to resin his bow, or turn up the corners of the next
few pages of his music, light the gas, or find his place in another
book.
By an easy transition we pass to the following:--
_Pericles_ I, i, 81. Pericles addresses the daughter of King
Antiochus.
_Per._ You're a _fair viol_, and _your sense the strings_,
Who, _finger'd_ to make man his _lawful music_,
Would draw heaven down and all the gods to hearken;
But being _play'd upon before your time_,
Hell only danceth at so harsh a chime.
Pericles compares the lawful love of a wife with the performance of a
good viol player, the proper characteristics of which would be, 'in
tune,' and 'in time.


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