King and courtier, peasant and ploughman, each could 'take
his part,' with each music was a part of his daily life; while so far
from being above knowing the difference between a minim and a
crotchet, a gentleman would have been ashamed not to know it.
In this respect, at any rate, the 'good old days' were indeed better
than those that we now see. Even a _public-house song_ in Elizabeth's
day was a canon in three parts, a thing which could only be managed
'first time through' nowadays by the very first rank of professional
singers.
SHAKESPEARE PASSAGES
I
TECHNICAL TERMS AND INSTRUMENTS
We now proceed to consider some representative passages of Shakespeare
which deal with music.
These may be taken roughly in six divisions--viz. (1) Technical Terms
and Instruments, (2) Musical Education, (3) Songs and Singing, (4)
Serenades and other domestic 'Music,' (5) Dances and Dancing, (6)
Miscellaneous, including Shakespeare's account of the more spiritual
side of music.
To begin on the first division. There are many most interesting
passages which bristle with technical words; and these are liable to
be understood by the reader in a merely general way, with the result
that the point is wholly or partly missed. With a reasonable amount of
explanation, and a general caution to the student not to pass over
words or phrases that appear obscure, there is no reason why these
passages should not be understood by all in a much fuller light.
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