At one of the ends of this court was seen a narrow wicket door; at the
other, the entrance to the sitting-room; a large paved hall, in the middle
of which was a cast-iron stove, surrounded by wooden seats, on which were
stretched several prisoners, talking among themselves. Others, preferring
exercise to repose, were walking in the courts, in close ranks, four and
five together, With locked arms.
[Illustration: THE DISCOMFITED MONKEY]
One should possess the energetic and somber pencil of Salvator or of Goya
to sketch these diverse specimens of physical and moral ugliness; to
describe their hideous habiliments, the variety of costume of these
wretches, covered for the most part with miserable clothing; for, only
being attainted, that is to say, supposed innocents, they were not dressed
in the uniform of the penitentiaries; some of them, however, wore it; for,
on their entrance into prison, their rags had appeared so dirty, so
infectious, that, after the customary bath, they had given to them the cap
and coarse gray trowsers of the convict. A phrenologist would have
attentively studied these ghastly and bronzed faces, with their flat
foreheads, their cruel and insidious glances, wicked mouths, and brawny
necks; almost all offered a frightful resemblance to the brute. On the
cunning features of this, one would find the subtle perfidy of the fox; on
another, the sanguinary rapacity of the bird of prey; on a third, the
ferocity of the tiger; and on another, again, the animal stupidity of the
brute.
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