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Flaubert, Gustave, 1821-1880

"Madame Bovary"

Homais, surprised at this silence, wanted to know his opinion,
and the priest declared that he considered music less dangerous for
morals than literature.
But the chemist took up the defence of letters. The theatre, he
contended, served for railing at prejudices, and, beneath a mask of
pleasure, taught virtue.
"'Castigat ridendo mores,'* Monsieur Bournisien! Thus consider the
greater part of Voltaire's tragedies; they are cleverly strewn with
philosophical reflections, that made them a vast school of morals and
diplomacy for the people."
*It corrects customs through laughter.

"I," said Binet, "once saw a piece called the 'Gamin de Paris,' in which
there was the character of an old general that is really hit off to a
T. He sets down a young swell who had seduced a working girl, who at the
ending--"
"Certainly," continued Homais, "there is bad literature as there is bad
pharmacy, but to condemn in a lump the most important of the fine arts
seems to me a stupidity, a Gothic idea, worthy of the abominable times
that imprisoned Galileo.


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