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Flaubert, Gustave, 1821-1880

"Madame Bovary"


We began repeating the lesson. He listened with all his ears, as
attentive as if at a sermon, not daring even to cross his legs or lean
on his elbow; and when at two o'clock the bell rang, the master was
obliged to tell him to fall into line with the rest of us.
When we came back to work, we were in the habit of throwing our caps on
the ground so as to have our hands more free; we used from the door to
toss them under the form, so that they hit against the wall and made a
lot of dust: it was "the thing."
But, whether he had not noticed the trick, or did not dare to attempt
it, the "new fellow," was still holding his cap on his knees even after
prayers were over. It was one of those head-gears of composite order, in
which we can find traces of the bearskin, shako, billycock hat, sealskin
cap, and cotton night-cap; one of those poor things, in fine, whose
dumb ugliness has depths of expression, like an imbecile's face. Oval,
stiffened with whalebone, it began with three round knobs; then came in
succession lozenges of velvet and rabbit-skin separated by a red band;
after that a sort of bag that ended in a cardboard polygon covered with
complicated braiding, from which hung, at the end of a long thin cord,
small twisted gold threads in the manner of a tassel.


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