Book account

This was
even more emphatically the case with the decorations, the goldsmith's
and metal work, the sculpture, painting, and glass, which the best
artists of France set up in honour of the English king's favourite
saint. In these crafts English work would not as yet bear a comparison
with foreign, and even the glories of the statuary of the facade of
Wells cannot approach the sculptured porches of Amiens or Paris. As the
century advanced some of the fashions of the French builders, notably
as regards window tracery, were taken up in the early "Decorated" of
the reign of Edward I.; and here the claims of English to essential
equality with French building can perhaps be better substantiated than
in the infancy of the art. But all these comparisons are misleading.
The impulse to gothic art came to England from France, like the impulse
to many other things. Its working out was conducted on English local
lines, ever becoming more divergent from those of the prototype, though
not seldom stimulated by the constant intercourse of the two lands.


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